John Boehner and Eric Cantor
(Right Wing Republican and Further Right Wing Republican)
Sadly, in this Congress, Boehner is considered a moderate.
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WASHINGTON—Members of the U.S. Congress reported Wednesday they were continuing to carefully debate the issue of whether or not they should allow the country to descend into a roiling economic meltdown of historically dire proportions. "It is a question that, I think, is worthy of serious consideration: Should we take steps to avoid a crippling, decades-long depression that would lead to disastrous consequences on a worldwide scale? Or should we not do that?" asked House Majority Leader Eric Cantor (R-VA), adding that arguments could be made for both sides, and that the debate over ensuring America’s financial solvency versus allowing the nation to default on its debt—which would torpedo stock markets, cause mortgage and interests rates to skyrocket, and decimate the value of the U.S. dollar—is “certainly a conversation worth having.” "Obviously, we don't want to rush to consensus on whether it is or isn't a good idea to save the American economy and all our respective livelihoods from certain peril until we've examined this thorny dilemma from every angle. And if we’re still discussing this matter on Aug. 2, well, then, so be it.” At press time, President Obama said he personally believed the country should not be economically ruined.
At an acting master class, at the Theatre Royal Haymarket. Christopher Eccleston was asked why he left, such a high paid job like Doctor Who. He responded:
“I left Doctor Who, because I could not get along with the senior people. I left, because of politics. I did not see eye-to-eye, with them. I didn’t agree with the way things were being run. I didn’t like the culture that had grown up, around the series. So, I left. I felt, over a principle. I thought to remain, which would have made me a lot of money and given me huge visibility, the price I would have had to pay, was to eat a lot of shit. I’m not being funny about that. I didn’t want to do that and, it comes to the art of it, in a way. I feel that if you run your career and-we are vulnerable as actors and, we are constantly humiliating ourselves auditioning. But, if you allow that to go on, on a grand scale. You will loose, whatever it is about you and, it will be present in your work. If you allow your desire to be successful and visible and financially secure. If you allow that, to make you throw shades on your parents, on your upbringing, then you’re knackered. You’ve got to keep something back, for yourself. Because, it’ll be present in your work. A purity or an idealism is essential, or, you’ll become-you’ve got to have standards, no matter how hard work that is. So, it makes it hard road, really. You know. It’s easy to find a job, when you’ve got no morals, you’ve got nothing to be compromised you can go ‘yeah, yeah. That doesn’t matter. That director can bully that prop man and, I won’t say anything about it’. But, then when that director comes to you and says ‘I think you should play it like this’. You’ve surely got to go ‘How can I respect you, when you behave like that?’
So, that’s why I left. My face didn’t fit and, I’m sure they were glad to see the back of me. The important thing is that I succeeded. It was a great part. I loved playing him. I loved connecting with that audience. Because I’ve always acted for adults and the suddenly, your acting for children. Who are far more tasteful, they will not be bullshitted. It’s either good, or it’s bad. They don’t schmooze at after show parties, with cocktails